K M Krebs revient sur No Type pour un nouveau simple de cinq pièces sans titre. Wavelength est une forme d’excursion spatiale, un mélange unique de fréquences radio et de…

This is the fourth No Type release from David Turgeon & the last under the Period Three moniker. Unlike previous releases under that name, this 6-track EP explores the realms…

Troisième parution de Tomas Jirku sur No Type (suite à Immaterial & Variants), cette fois-ci sous le pseudonyme The Viceroy. Ce simple de cinq pièces présente une poignante et unique…

On his third release, Eryk Salvaggio presents four delirious tracks made while suffering influenza (hence the name, as you have guessed.) A swooshy ride of eminently ill sampledelica, to be…

Jason Urick et son projet Themoonstealingproject fait ici son entrée au catalogue No Type avec cette jolie et délicate petite parution. Six pièces d’ambiances microsoniques qui n’ont pas perdues leur…

Sur ce surpenant album mixte, K M Krebs (833-45) & Tomas Jirku ofrent chacun une nouvelle composition et une reconstruction du travail de l’autre. Leurs contributions portent leur signature typique…

Début mystérieux pour Eucci, alias Jeffrey Shell de Salt Lake City. Ses enluminures poétiquement minimales ne sont jamais dénuées dxune suave touche art-rock. Que voulez-vous! Froncez vos oreilles.

Based in Barcelona, 3code is both a net.art collective & a musical project, whose this is the only EP to date. These four tracks blend a casual optimism with a…

This full length release from Kaia Wong, Eric Keebler & friends marks the return of No Type to its lo-fi improv roots. Through 12 fairly twisted & largely unexplainable tracks…

L’île de béton is the duo of David Turgeon (Camp, Period Three) & A_dontigny (Napalm Jazz, Morceaux_de_machines), alternately playing a Casio keyboard & an old turntable. As is to be…

Pour cet échange de type «potlatch» avec un ami, Alexandre Warren, Philémon (Napalm Jazz) propose quatres compositions difficiles d’écoute. Lourd bruit blanc cathartique et assortiment de bonbons empoisonnés.

Cal Crawford’s online debut, this recording under the name of Speech.fake packs some serious punch. Each of these 8 tracks is a tense microuniverse peopled with the acute sense of…

This is James Schidlowsky’s No Type debut, following an array of self-released CD-Rs. Schidlowsky uses the guitar in a throughly textural, hypnotically minimal fashion, as he is concerned foremost with…

This is Matrix Assimilation’s last & most accomplished release under this moniker (he was to be known solely as Infoslut afterwards.) A bold, bluffing & caustic take on the crunchy…

Viratone Ballad’s (final?) EP release presents 5 tracks of dense, lively & ultimately highly rewarding glitchiness.

Oeuf Korreckt’s fourth No Type release presents four different variations on the “Shibuya” theme: more than a remix EP, these tracks are really meant to be listened to back to…

Eucci’s second No Type release is in line with his previous EP, but offers more in the way of painting-type composition, as is most obviously evident in the title track…

Third (& probably last) release from Stackoverflow, compiling two mysterious tracks received some day on MiniDisc format & going by the name Rubitcow. Added as a bonus is the original…

Thin returns for 4 short, catchy tracks with a definite jazzy downtempo feel to them, a comedown of sorts from the Trashcan Land days!

833-45 (K M Krebs) goes into compact mode with this release, compressing his elemental/ethereal mode into a brilliant little 6-track EP, to be listened to, of course, in continuity.