Recorded in early 1999, during Napalm Jazz’s most prolific period, this is the first solo project by A_dontigny. Executed live on radio as a single improvisation using three turntables, prepared…

Various improvisations from 1999-2001 edited, remixed and processed in 2002 by A_dontigny (turntables, CD players, computer, effects). With special guests Érick Dorion (computer), Philémon (CD players, turntables) and James Schidlowsky…

A sound travelogue of Saskatoon (SK) by A_dontigny, inspired by his presence at the Digidome event, held in September 2002. Featuring Paul Dolden (electric guitar) on "Saskenergy." Huge thanks to…

A noisy act of resistance, Duophone is Chantal Dumas and A_dontigny’s answer to the 2001-2003 war propaganda. Recorded and mixed by Chantal Dumas in April 2003 at Avatar, a Quebec…

The first encounter of radical turntablist Martin Tétreault with the Napalm Jazz posse turned into an alcoholic mayhem of scratches, digital noise, drunken rap and obvious borrowings from Prince, Black…

Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon’s use of an amplified metal box, added to A_dontigny’s distorted CD skipping and Érick Dorion’s signature audiomulch…

A harsh and no holds barred session by four uncompromising improvisers with Alexandre St-Onge, Martin Tétreault, Érick D’Orion and A_dontigny. Live at the Casa del Popolo, July 2002.

Live at the Espace Ecube, May 2003. “Un microphone dans une tempete de noize” was an evening of music curated by Esther B - in addition to Napalm Jazz, themoonstealingproject…

Live performance of Kevin M Krebs composition “Gates of Antioch” under his 833-45 alias.

Early 4-track avant-rock project by Saskatoon’s audio performer Jon Vaughn (vocals, electric guitar, synth) with Chad Munson (electric guitar, vocals), Nick McCormick (bass, synth) and Terry Mattson (drums).

First solo project by Érick Dorion (Napalm Jazz, morceaux_de_machines), Acariens [Acarinas] is a composition in 6 movements filled with creepy drones, worrying buzzes and unhealthy cracklings. Featuring A_dontigny on additional…

Recorded in March 2000, Spick Up is an earlier phase in Magali Babin’s work with prepared pickups and household ustensils. The recording is raw but the six tracks are filled…