K M Krebs returns to No Type for a new five-track EP whose tracks are, surprisingly, unnamed. Wavelength is a space hike of sorts, a unique blend of otherworldly radio…

This is the fourth No Type release from David Turgeon & the last under the Period Three moniker. Unlike previous releases under that name, this 6-track EP explores the realms…

Third release (following Immaterial & Variants) from Tomas Jirku on the No Type label, & his only one under the name The Viceroy. This 5-track EP presents a unique…

On his third release, Eryk Salvaggio presents four delirious tracks made while suffering influenza (hence the name, as you have guessed.) A swooshy ride of eminently ill sampledelica, to be…

Jason Urick’s Themoonstealingproject debuts on No Type with this pretty & delicate gem of a mini-EP. Six tracks of bristling microsonic ambient that did not leave their feelings at the…

On this unlikely collaborative EP, K M Krebs (833-45) & Tomas Jirku each contribute one new track, & then remix each other. Each protagonist’s contribution is in line with what…

Mysterious debut EP from Eucci, aka Salt Lake City’s Jeffrey Shell. Eucci’s poetically minimalist stylings are never devoid of a contrasting glamorous art rock suave. Go figure! Squint your ears.

Based in Barcelona, 3code is both a net.art collective & a musical project, whose this is the only EP to date. These four tracks blend a casual optimism with a…

This full length release from Kaia Wong, Eric Keebler & friends marks the return of No Type to its lo-fi improv roots. Through 12 fairly twisted & largely unexplainable tracks…

L’île de béton is the duo of David Turgeon (Camp, Period Three) & A_dontigny (Napalm Jazz, Morceaux_de_machines), alternately playing a Casio keyboard & an old turntable. As is to be…

Done as a “potlatch” type exchange with a friend, Alexandre Warren, these four harsh tracks from Philémon (Napalm Jazz) make for a demanding listening. Heavy, cathartic white noise & assorted…

Cal Crawford’s online debut, this recording under the name of Speech.fake packs some serious punch. Each of these 8 tracks is a tense microuniverse peopled with the acute sense of…

This is James Schidlowsky’s No Type debut, following an array of self-released CD-Rs. Schidlowsky uses the guitar in a throughly textural, hypnotically minimal fashion, as he is concerned foremost with…

This is Matrix Assimilation’s last & most accomplished release under this moniker (he was to be known solely as Infoslut afterwards.) A bold, bluffing & caustic take on the crunchy…

Viratone Ballad’s (final?) EP release presents 5 tracks of dense, lively & ultimately highly rewarding glitchiness.

Oeuf Korreckt’s fourth No Type release presents four different variations on the “Shibuya” theme: more than a remix EP, these tracks are really meant to be listened to back to…

Eucci’s second No Type release is in line with his previous EP, but offers more in the way of painting-type composition, as is most obviously evident in the title track…

Third (& probably last) release from Stackoverflow, compiling two mysterious tracks received some day on MiniDisc format & going by the name Rubitcow. Added as a bonus is the original…

Thin returns for 4 short, catchy tracks with a definite jazzy downtempo feel to them, a comedown of sorts from the Trashcan Land days!

833-45 (K M Krebs) goes into compact mode with this release, compressing his elemental/ethereal mode into a brilliant little 6-track EP, to be listened to, of course, in continuity.