Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon’s use of an amplified metal box, added to A_dontigny’s distorted CD skipping and Érick Dorion’s signature audiomulch…
Sam Shalabi brought an unsuspected mood to the night, using mostly electronics. Philémon’s use of an amplified metal box, added to A_dontigny’s distorted CD skipping and Érick Dorion’s signature audiomulch cataclysm, blended Shalabi’s melancholic bleeps to form a dense and warm tapestry of noise. Live at the Casa del Popolo, April 2002. Photography by Esther B.
cat@nta_006 generated in Montréal by litk 0.600 on
Wednesday, September 21, 2011. Development & maintenance: DIM.